Showing posts with label music. Show all posts
Showing posts with label music. Show all posts

Sunday, August 16, 2026

Still the ruling entity - TEB


Was sorting music for my upcoming smartwatch, and sampling some forgotten tracks. Things were going well, until I came across a Third Ear Band performance (Live from Hyde Park), and since then , as if time stopped, I've been back in that old high, and abandoned my concerns. No, no smoking-up needed - listening to TEB in itself is a high. And to my surprise they still ain't so popular. 

"Back in my days" ie 10-15 years back, TEB was being discovered by many, and even their new tracks showing up from lost recordings. Today, the situation has evolved a bit, and now all their albums have been recovered, and remastered (available on Bandcamp and many other places online), even uploaded complete on Youtube. 

However, there is still no chronicling of the legends that these fellas were (afaik, they were an influence on other musicians and bands). Not a single documentary on Youtube (even when you explicitly search it out), just a few recordings of their sessions. No covers, either. This subculture is still gonna drop more with time, I believe, because the music that TEB created is unmatchable in its aurality. Just put on Ghetto Raga, it'll be hard to exit midway the 13-minute masterpiece.

Wednesday, July 05, 2017

Few compare to SS

Here's a force to comprehend: Sadhana Sargam, a popular Indian singer.
Her name reflects her career - a Sadhana (discipline or dedicated practice) towards Sargam (or the foundation notes of Indian music).

She has been all about music. In a career spanning a little over 30 years, she has established herself as an industry in the Indian music industry, singing thousands of songs in several Indian languages.
Sargam has sung 1938 Hindi songs in 1546 films and 1111 Tamil songs in 536 films. She has sung 2500 Bengali songs from 1994-2015. She has sung 3467 songs in Marathi. She has sung 15,000 songs in 34 Indian languages. 
She has won all topmost awards in India.
Nothing hit me harder than this fact
Sargam performed at music festival Sawai Gandharva at the age of 4. She sang popular song "Sooraj Ek Chanda Ek Taare Anek" for Doordarshan at the age 6. The song was composed by veteran Vasant Desai.
which made me realize that she's been one of the most memorable voices in my head all this while.

SS FTW!

Saturday, January 28, 2017

Musical ear rekindled

Two artists have lately seen a resurgence in my playlists - Keane and Bjork. I had liked them earlier, during my college days. Revisiting them led in liking turning into love. Chiefly, it were the lyrics that got me this time. That which one hadn't noticed before rises up to the perceptional surface on a future revisit, and that is the hallmark of good songs. Keane's "Somewhere Only We Know", and Bjork's "Bachelorette", were the respective tracks which pulled me back to listening to these artists.

On the Keane trail, I learnt that the band had since split, and their lead singer Tom Chaplin had undergone serious phase of depression, but also come back in the scene with a new Album, whose tracks "Quicksand" and "Hardened Heart" brought some terrific new music and lyrics to my ears - especially Quicksand, which I've played on repeat on a couple of outings since. "Somewhere Only We Know" has some of the most sensory lyrics I muchly empathize with.

On the Bjork trail, "All is full of love" was found to be even more emotive than the first time - when I'd mainly fallen for it because of Michel Gondry's music video. The lyrics are very potent, which I only now came to focus on and find (and agree with) - her life experiences put in words make me totally empathize, and I have started internalising Bjork but at the same time dreading falling for a girl like her who will be so complex and all-consuming. "Hyperballad" is another track with lyrics so chilling that they'll stick in the head, and be revisited. She talks of keeping her sanity by throwing objects off cliffs and watching them tumble down to oblivion and wondering about her own fall - a dangerous frame of mind, also so attractive.

Looking for Michel Gondry's newer work (which there's none, sadly), I stumbled into an all-girl band (the connect being one of his ex-gfs who is a bandmember), Warpaint, that makes good music. A nice name, that, too. It reminded of the time I found the Bombay Bicycle Club, another small band, which also got airplay on Indian TV much later.

Sunday, August 21, 2016

Koi Mil Gaya

कोई मिल गया
मेरा दिल गया
क्या बताऊँ यारों
मैं तो हिल गया

Lines 2, 3 had already been realized; and that's when I found him - I'd already given my heart and told (some) friends. But Lines 4, 1 happened today.. when I found out that we shared a great fact (or facticity, rather), that I had been feeling an isolation about, and only recently been in a conversation about.
Terrence Mitchell "Terry" Riley (/ˈraɪli/; born June 24, 1935) is an American composer and performing musician[2][3] associated with the minimalist school of Western classical music, of which he was a pioneer. His work is deeply influenced by both jazz and Indian classical music.
 So fecund, this guy's psyche perceives itself right now. T+50.

Thursday, August 13, 2015

Majzoobiyat - N.F. vs T.I.S.B.

This week of enrichment brings out a mashup from within me. I'd imagined that The Incredible String Band's Air  was the best that could come. And then came along this North Face movie, Into the Mind, that seemed to go so well with, and even be of the same length as, the track. Both of them, together, give a euphoric 3 minutes.

North Face vs The Incredible String Band [mashup] from uhbiv on Vimeo.

From the stable of 'we never do anything original' comes this unoriginal mashup between North Face and The Incredible String Band. these two go well together. Neither the footage nor the music is mine. Edited a bit to synch with the track.


Youtube has historically sucked for mashup videos. Theirs detects all copyrighted work, and blocks it. I always hope against, in that the next new upload will go undetected... but apparently not.

   Your video has been blocked in some countries.
Copyrighted content was found in your video.
Because of the claimant's policy, this video can't be played in some countries
Your video can't be played outside these countries: Bonaire, Sint Eustatius and Saba, Curacao, Montenegro, Saint Barthelemy, Saint Martin, Serbia, Sint Maarten, South Sudan
Copyright details
CONTENTCLAIMANTPOLICY
  • Visual content
  • 1:12 - 2:09 
  • The Orchard Entertainment
  • Blocked in some countries 

They should just block the whole thing instead of giving a message of partial access. The only countries without the copyright issue, are those which excludes 99.9 % of YouTube demographics.

Well, Vimeo to the rescue. Almost a scripted routine - get to YouTube, start uploading, remembering Vimeo halfway through, carrying on with YouTube in false hope, having the video upload on YouTube, learning the video got blocked on YouTube, upload to Vimeo as an alternative. No wonder, all my mashup videos live over there.

Monday, August 10, 2015

S.Sn.

They tell of this boy
who would sit by the river,
and sing of the oceans blue,
and think of the people and me and you,
surrounding.
Love, he heard about
in the river's song
the murmurs of the breeze;
the trill of cicadas in the trees,
invisible.

They said he was a mad one,
And thinking of the madmen,
he went looking for a mad one
found one right behind him
talking of madness besides his,
and feed him tea and oranges from Kashmir,
and enjoy the snows alongside.

And just when he meant to tell her
that he no love to give her,
then she stopped him
and said
let the river answer,
- it has already thought a lot more ,
than we ever could in a mortal span -
and it did, it said,
that they've always been lovers.

Now he wants to travel with her
And he wants to travel blind
And he knows that she will trust him
For he's touched her perfect body with his mind.


Tuesday, October 30, 2012

Another failed first time

A momentary lapse of reason, and I agreed into doing something so abhorrent that I never subscribed to even in my college days. That killed my evening. I had plans, plans about planning about affecting my near and distant future. But, alas, so is life, and so it goes.

Right now the disorder of last evening has carried on to my next day, as I sit a few hours into my professional time, geographically faraway from my profession, and mentally even further away. I will light up a smoke and hold it fragile between my fingers as I stare somewhere faraway into space in he narrow confines of my room where I sit sipping lukewarm half a cuppa masala chai, just to dramatise the situation - seems I get more of my kicks from the destructive elements life has to offer, in some half-agreement to the nihilists and the satanists. I'm already living days in this carryover stuff, much like an algorithmic multiplication of 9s to a random infinite number, leaving a carryover at each step - carryover trail crawling, as life ordains me.

To come back to the original focus, what this boob had agreed to, was a concert; a rock concert; an Indian Ocean rock concert; organised at this sprawling complex of IP Park; organised by some Indo-Deutsch partnership. The inference chain went so :
- if not the venue, enjoy Indian Ocean
- If not Indian Ocean, enjoy the venue

Initially happy to see a free concert at hands, I found that 'free' is an initiation opportunity for a lotta other freeloaders, and this being India, 'diversity' is to be expected. So there were mummy-papa-baccha types, uncle-aunteejee types, uncleji types, bhaiyya-types, corporate-spending types, chirpy-bird types, mid-life-crisis types, and chutiya-wannabe-types. [On the way to here, I had been musing on the impossibility of a Woodstock in India - the sneaky kids, whiplash-wielding-self-discretion-using policewallahs, pariah dogs, vendors, wannabe oldtimers, and the adjoining shitting ground for some poor families, all spoiling the atmosphere for an observational rocker and push him back home to write diary entries instead] So I found myself on a wooden row of benches, beer in hand, pork sausages on the plate, right opposite a muslim couple (the girl was in a Burqua) - in their religion, alcohol is haram, so is pork. So this was the kinda opposing confluence it turned out. Later there was a trio of village women in kitsch green saris veiling their face (घूंघट डालना), opposing my view for a while - then they actually sat down to sit through the concert!

To add to it, there was Ashoka Hotels doing the catering, and doing so in the most creepout manner - by employing their over-professional crew to imitate a McDonalds; a McDonalds at the price tag of an Ashoka (kingfisher being the cheapest drink at 180/pint, and veg burger being the cheapest food at 200). There was a mustached-uncle in suit taking the order, on a whole page of grid of items on offer, which was to be given to seemingly-minor employees at the serving counter. But it had a silver lining, as the following incident explains: there were these svelte German girls sitting opposite for us for a while, into whom bumped some Indian acquaintance of theirs (white toothy smile plastered on his face) whom I found annoying. When he exclaimed "I'll join you guys with a beer!" I was relieved that he was gone for at least half an hour - so big were the unmanaged queues.

I.O. themselves were unspectacular; I wouldn't say they were lethargic or untalented, or that they were great, but they can't hold you for very long. I suppose they are less of what they started with by now. They have a sick drummer. They made me busy with a lotta questions about why I, impulsively, didn't like the concert. It could have to do with me re-entering a Syd Barrett phase presently, and expecting something more chaotic, more synthesized, more grunge.

Thursday, September 06, 2012

Dil Aisa...



लल्ले [nutjobs] - why couldn't they rather be snorkeling, or flying RC planes, or trying to locate the Susu? I dont get this song - he's on a boat, amidst beautiful scenery, with the Katrina Kaif equivalent of those days (Sharmila Tagore), and still wasting his time singing that. Unless Ms. Tagore is playing a robot in that movie, he should be jumping on her on that boat.

Self-loathing is annoying. Its also, however, addictive - I could sing that song about the pathetic programming paradigm Javascript has exposed me to, for somebody coming from a world of C++.

Tuesday, August 28, 2012

Your ayyashi, my music

I could be complicit in your ayyashi but not in your music. that is why, despite the experimentations of the weekend, now is when I find my high, in the music of pink floyd coming from the speakers indoors off my own playlist. There's nothing to complain about the adventure and ayyashi with my Nawabi amigos that just parted ways, but as much as I start to miss them, there's a feeling of relief in parallel, as I can plug into my own music - I walked back home listening to orchestral pieces, and to follow PF right now is wobbly Persian music.

I have these friends, however, to thank for a great musical (mis)education.

Thursday, August 16, 2012

Bootstrap Music - Leider Geil

Robbie Williams entering my head this morning was unexpected; it also reminded me of my silly musical meanderings - he was one of the first faves to claim of, and there is a surviving photograph somewhere of a school picnic with me listening to an album of his (in cassette form) on my walkman. The music I bootstrapped my musical existence with makes for a curious narrative.

Childhood was in a void of international artists. We only had Doordarshan, you see, and on it there was Chitrahaar (and later Sueprhit Muqabala) to look forward to - no Billboard Top 100 until much later when cable television made entry into the household. A friend of mine did have Cable TV, but I would be more keen on scheming a plot that will have his old gnarly aging uncle leave me with half his inheritance, or ended in a peek of her sister Jessica's tits, or sourcing the latest scraps of pornographic paper of human forms I'd never imagined before - oh, the wankers that we were back then. But I still managed to know about Stereo Nation (if you count that as international; they still maintain annoying site) and Shaggy (garbled enough to be hip).

At this time, my cousin sis - who is a year younger to me, btw - could claim to be my leading authority on music. She had cable, yes. She had a VCR, yes. She had a coterie of uptown friends (who, behind locked doors, cried their teenage hearts out thinking of a sinking Leo while listening to My Heart Will Go On). And the most influential of all, a trio of wannabe hipsters in the form of her cousins (from her dad's side) in varying age brackets. It was through her influence that I heard of names like Spice Girls and Whigfield.

In 'those' days, this 'modern' music wasn't available, or if it was then it would cost thrice my pocket-money, so visiting a music shop was more like visiting a museum - can only see and not buy. The way over this obstacle was to record your compilations. The way for that was to either have a dual-cassette-deck tape recorder at home and a sea of cassettes to record from, or asking the music shop owner to do it for a negligible feasible charge.
Since Pa had, ages ago, brought home a behemoth Panasonic dual-deck player/recorder, I tried my hand at making my own compilations, with albums (cassettes) sourced from rich and hip friends. I didn't do too well. So, going for the alternative, I approached a trusted music shop in Kamla Nagar near Delhi University.

The modus operandi was: to buy blank cassettes/tapes - preferably Sony or Panasonic (and understandably 90-min tapes over the 60-min ones) - then prepare a list of songs to record which would total upto the recording time on the tape, then hand it over to the music store guy, alongwith half the nett charges for the recording (for the charge of Rs5 per song), then come back a couple of days later to get your bliss. [Yes, I've always been a pirate, but the lengths we'd go to back then, compared to today, is an amusing reflection]

Here's some contents of my first compilation (I eventually didn't include Shaggy, as it was too scandalous to be listening in front of parents):
  • Whigfield - Sexy Eyes
  • Whigfield - Saturday Night
  • Spice Girls - Wannabe
  • Stereo Nation - Baby Don't Break My Heart
  • No Mercy - Where Do You Go
  • Los del Rio - Macarena
  • ...

I would probably vomit if I come across such a compilation in the future. Back then, it was the coolest audio recording I had in my possession. Leider Geil.

Saturday, June 23, 2012

Boys Don't Cry

२४ तारिख एक घंटे भर की दूरी पर है | २४ को मैं २७ का हो जाऊँगा | अपने मित्र-समूह में शायद - सबसे बड़ा होने के एकलौते कारण से - सबसे पहला हूँगा जो कि '२७-फिर-भी-डब्बा' श्रेणी में प्रवेश लूँगा | हम सब आलसी प्रकार के रहे हैं | अभी तक बावरे बैठे हैं, ज़िन्दगी के कई पहलुओं से असहमत, दूरदर्शिता कि कमी के कारण परेशानियों में घिरे | हमें या तो अपने पैर तले धरती तक पर संपूर्ण यकीन नहीं, या फिर उस यकीन पर कोई मानवीय गर्व नहीं |
"Boys Don't Complain" and "Boys Don't Cry" - जैसा कहते हैं | अपने दर्द से इतना वाकिफ हैं कि बाहर पूरे संसार का दर्द छुपा रह जाता है | हमारी नज़र शीशे में अपनी परछाई पर ही टिकी ठहरी है, चाहे उसके पीछे एक पूरी जंग चल रही हो या तड़प-पुकारें हमें बुला रही हों |

I need a new song for my age. In retrospect, 24 was the perfect age - I had Neil Yong's "Old Man" to lift me ("24, and there's so much more"). Through 25, I dragged it on, just in assurance that the 'so much more' is right at the corner and coming (a perfect Bokononist untruth). For 26, I had a developing sense of gloom over memories that the song brought, and the promises that were just gas (I would see that as my injustice to this rock anthem).I could see a ship, no, a dinghy floating by a pier, with a festive snapshot of me in a state of [deluded] certainty over my promises. That dinghy, too, seems sunk now. There needs be a reminder that life ain't as dead as it seems to be, an age-appropriate one, hence why I need a song. I hope I don't settle with Pink's "Comfortably Numb".

PS: this?

Saturday, April 28, 2012

Last Song

मुझे पीने का शौक नहीं
पीता हूँ ग़म भुलाने को


At the time of the accident, this was the song playing on my iPod, that was connected to the car stereo - a minor detail, that will remain in memory. It was almost like my last words, gaadi ke marte dam par... a defense against the volumes of spirits I'd consumed on this night in Jamshedpur(esp that infamous Singapore Sunset).
Under heavy influence of Pearl Jam's Last Kiss ca. 2007, I had kept that reserved for the background track to a high speed crash. But laughably, crashes don't come with a calendar entry in Outlook. And luckily, I wasn't weeding out body parts by the end of the day.

Right before this song, was the chichora track from Raja Babu - "आ आ ई उ उ ओ मेरा दिल ना तोड़ो" - on the playlist. Damn, wouldn't that have been an embarrassment.
I should start maintaining a list of songs that STRICTLY shouldn't be played on wrong occasions, like when handing the steering to a lunatic under the influence of alcohol. Something tells me this was coming.

Wednesday, November 16, 2011

I should print this URL on my tee, so I need not say a word whenever somebody tries to elicit opinion on the "battle of the burbs". As a superficial response to a superficial curiosity, it should suffice.

SOPA was supposed to be discussed in the American Senate today yesterday. No updates on it yet.
On personal thought space, shifting the responsibility for copyright protection from copyright holders to service providers is futile. It will also kill Google - in the aftermath of this shift, search engines outside the US would see greater traffic.

"Coming Down" by NO from Donald Mahoney on Vimeo.

Monday, November 14, 2011

Weekend, Aurally

The past weekend gave me a bumper opportunity to refine my aural taste. I was off to Rishikesh, that promised at least 12 hours onboard those rickety sarkari buses, another 6-12 hours of rambling about, and a chance few hours through a sleepless Saturday night (my body clock's messed up). The newly-possessed iPod Nano was guaranteed to be my best companion, if not some smalltalk-hobbyist in the bus or during my hike. So right before leaving, I loaded it with 'appropriate' music (a very selective choice, as dictated by my then-mood and sentiment); and further created a 'todo' playlist for the new stuff. Of the (potential) two dozen hours that I imagined I'd be plugged in, reality saw me at it for only a third of those - half the hours in the bus were dedicated to sleep, Rishikesh ghoom went sans any accompanying iPod, and the hike was best-enjoyed (and best-survived, too) tuning my ears to nature. But even those few hours gave me enough to listen, like, and reject.

Saturday, October 29, 2011

The Facebook Song



Stuck at Rohtang Pass in a minitruck for 6 hours, on the return leg to the Hamta Pass Trek, this 4-minute gem made my memory of those hours spent cycling through a thousand Punjabi songs that were on the truck driver's USB drive (attached to his truck stereo).
Ended up with a briefing about the song, as well some insight into the trucker's personal life, his gmail ID, his facebook life, and how his girlfriend who had recently broken up with him deleted him from his facebook and had changed her own password.

Some observations:
- The singer endorses Apple (Mac, iPhone); maybe Apple is subliminally trying to enter Indian market.
- The hot girl owns a Compaq. He will never date her once he knows she uses a Compaq.
- The guy could be a data hacker @ facebook. The girl doesn't pose in any corporate environment.
- The girl cycles through a dozen wardrobe options along the video. The guy changes into just one other shirt, and one suit.
- The girl spends time eating strawberries, applying skinpacks, manicuring, and cooking food (sauted vegetables, if I can guess correctly), besides using the laptop. The guy is only seen drinking coffee, and sharing a benign smile with his lifeless laptop; also dancing alone in a facebook cubicle.
- The guy's fb album (look at 2:39) hint he's a pro photographer.
- The guy's house has better light fixtures. The girl's got a better kitchen.

Sunday, January 17, 2010

TZP fanpost

TZP dedication
Taare Zameen Par, imho, has been the most amazing thing the commercial Bollywood cinema has given us in the past 3 years, or maybe more; rest of it all has been an 'abortion' as Ignatius Reilly would call it. Generally, one starts losing interest, or going theoretical about a movie after watching it several times; but this one just digs deeper, sits there, evokes an even greater response and digs further into your emotions every time you see it again. Don't understand why, but seeing it the first time was an excessively happy affair, second one a bit less of it, but the Nth time today - switching my gaze between the tele and the laptop - has still managed to bring out a greater emotion than those earlier times. Seeing more, am I?

Right now, I'm going gaga over the accompanying background score. And I know why it works for me - its too Thomas Newman...a subtle running ambiance, simple, bold individual piano keystrokes (often in the minor), often jarring; and the perfect aural accompaniment to the onscreen happenings. So, there, another thing to discover about the movie. Suggest me something to SEE the next time.

FYI, it was recorded by the genius trio of Shanker, Ehsaan, Loy at some house (Aamir's?) in Panchgani (not a studio) in a short time, using something called 'Live' recording where they play out alongside the running movie, rather than working on cues and feeding into a computer as in a studio.

Wednesday, February 25, 2009

Ghazal fnord

These are some of the lyrics to an Indian Ghazal, Mera Kuch Samaan from the movie Izazat, where some poor girl is demanding her romantic baggage back. Apparently her guy pwned her and now she pwns him back with this mindfuck of a song, with an ending on fatalistic lines.
Ek akeli chhatri mein aadhe aadhe bheeg rahe thhe
Aadhe sookhe
Aaadhe geele
Sookhaa to main le aayee thee
Geelaa mann shayad bistar ke paas pada ho
Woh bhijwaa do
Mera woh samaan lauta do.

116 Chaand ki raatein
Ek tumhare kaan ki kaaten
Geeli mehndi ki khushboo
Jhooth mooth ke shikwe
Jhooth mooth ke waade bhi sab yaad kara do
Sab bhijwa do
Mera woh samaan lauta do


made-my-day thing: A website listing Altaf Raja's genre as Pop/World/Reggae