Monday, May 26, 2008

Creating Devotional Stereotypes

Was an audience to the grand religious festivity at 'Paramarth Niketan' again. Had a smaller crowd than the last time, which I believe could've been for the fact that it was under repairs of sort - they had cordoned off a section of R. Ganga to prepare for a greater display of devotion towards Lord Shiv in the future. All that most come for is a good alien experience, theatrics. Not finding that surely must've sent them looking elsewhere. The post-आरती scene at Paramarth Niketan was typical. A handful of people made up for the crew. A vocalist (गाय़क), a tabla player (तबलावादक) and a handful of people at the mixing desk (मिक्समर्द?). They were surrounded by a crowd, mainly Indian. The foriegners were at a distance.

The only retard observation I could make was that all the crowd was facing the vocalist (sitting amongst them on the stairs that lead to R. Ganga). They twisted about their neck and waist to face in that general direction, as if it were the epicenter of some devotional waves. It was disturbing how the weight of their vision would carry a great significance towards how they would frame a thought or discourse on their God. For once, those with cursory glances seemed more religious - they were understanding aspects of religion rather than just giving in to how somebody else interprets it and feeds it to you.
Being a witness to the creation of a stereotype: to be (or superficially feel like being) committed to God, you have to put on all the theatrics of _this_ kind. You need the men in ochre - alongwith all their paraphernalia to make noise and light - and an audience (that can make it look like a grand display of devotion) to appease the Gods. Here is where the Pundit turns into a businessman.

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